The most beautiful voice in music
Melodyne is so good, that when in the proper hands, you can't tell it's done. There's some pretty hard science behind it to make it sound as natural as possible.trivial wrote: Melodyne artifacting.
Obviously there are a lot of crap singers and crap producers out there that make it not so transparent.
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GaijinPunch
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I almost said this one.Jon wrote: Elizabeth Fraser
Another one that flew off the radar.Harriet Wheeler,

Aah...there's one I missed. And she's filthy hot, to boot! What's she doing these days?Female: Hope Sandoval (Mazzy Star)
Do you wear a pink tutu?Male: Morrissey, of course!
RegalSin wrote:New PowerPuff Girls. They all have evil pornstart eyelashes.
Since Melodyne didn't even become public until 2001, you either beta tested it, or you're BS'ing (I vote BS)trivial wrote:Of course it's good. I ran a 133% timestretch on Loveless back in '99 and actually found it listenable after all those intensive hours of Celeron computation.
If I get you properly, you basically just said that Melodyne sounds too perfect and most singers have imperfections, except you said it in a snobbish, deliberately obfuscated way to make yourself sound like some kind of elite audiophile master of the universe.trivial wrote: But the temperament of the scale Melodyne corrects to is extremely audible to me. A good singer finds a just pitch in the chord morass.
Fuck you dude

Don't you call me the A-word. I listen so loud that tonal beat feels like misplaced, bone-conducted rhythm. I don't sit in front of speakers either.
In other words, "audiophile" is a fucked-up thing to call me, considering I'm giving myself tinnitus. I concede a preference that the tones in the tinnitus be justly intoned.
Google EZTimeStretch, that's what I used in 1999. But no, I wasn't saying Melodyne was too perfect.
Forgot Jimmy Somerville. There's an AIDS joke in here somewhere; happy?
In other words, "audiophile" is a fucked-up thing to call me, considering I'm giving myself tinnitus. I concede a preference that the tones in the tinnitus be justly intoned.

Google EZTimeStretch, that's what I used in 1999. But no, I wasn't saying Melodyne was too perfect.
Forgot Jimmy Somerville. There's an AIDS joke in here somewhere; happy?
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Stormwatch
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- Contact:
Guys:
Eric Martin (Mr. Big)
Morten Harket (a-ha)
Marian Gold (Alphaville)
Rick Astley
Chris Isaak
Gals:
Marie Fredriksson (Roxette)
Ann Wilson (Heart)
Terri Nunn (Berlin)
Bonnie Tyler
Votes for the worst? Max Cavalera and Jessica Simpson.
Eric Martin (Mr. Big)
Morten Harket (a-ha)
Marian Gold (Alphaville)
Rick Astley
Chris Isaak
Gals:
Marie Fredriksson (Roxette)
Ann Wilson (Heart)
Terri Nunn (Berlin)
Bonnie Tyler
Votes for the worst? Max Cavalera and Jessica Simpson.
Last edited by Stormwatch on Wed May 28, 2008 7:01 am, edited 1 time in total.
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Herr Schatten
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Female: Kristin Hersh. Her voice is teh sex.
I don't usually regard male voices as "beautiful".
I don't usually regard male voices as "beautiful".
Last edited by Herr Schatten on Wed May 28, 2008 9:19 am, edited 1 time in total.
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worstplayer
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EZTimeStretch works in completely different way. It stretches/pitchshifts everything. Melodyne can analyze individual notes and you can correct only ones that need correction.trivial wrote:Don't you call me the A-word. I listen so loud that tonal beat feels like misplaced, bone-conducted rhythm. I don't sit in front of speakers either.
In other words, "audiophile" is a fucked-up thing to call me, considering I'm giving myself tinnitus. I concede a preference that the tones in the tinnitus be justly intoned.
Google EZTimeStretch, that's what I used in 1999. But no, I wasn't saying Melodyne was too perfect.
Forgot Jimmy Somerville. There's an AIDS joke in here somewhere; happy?
Oh, and you're not supposed to use it on entire song, but on individual tracks. If you use it on whole mix, of course there will be "ringing" and other artifacts.
We're getting a bit off-topic. Someone start VST thread and we'll continue there. Now back to singers.
"A game isn't bad because you resent it. A game is bad because it's shitty."
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GaijinPunch
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Shatterhand
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She's got her own band now, Hope Sandoval and the Warm Inventions, but they're not nearly as good as Mazzy Star, imo. A little bit to polished and sober sounding.GaijinPunch wrote:Aah...there's one I missed. And she's filthy hot, to boot! What's she doing these days?Female: Hope Sandoval (Mazzy Star)
Gay voices are always the best. Need another example: Freddy Mercury!Do you wear a pink tutu?Male: Morrissey, of course!
Off the top of my head, unless I can think of some better examples,
Male:
Richard Butler from The Psychedelic Furs
Female:
Harriet Wheeler from The Sundays
EDIT: Yes, Bilinda Butcher FTW! I overlooked that one. Thumbs up for Morrissey, too.
Male:
Richard Butler from The Psychedelic Furs
Female:
Harriet Wheeler from The Sundays
EDIT: Yes, Bilinda Butcher FTW! I overlooked that one. Thumbs up for Morrissey, too.

Undamned is the leading English-speaking expert on the consolized UD-CPS2 because he's the one who made it.
Kristen Hersh is good. I think I like Throwing Muses better than her solo stuff.
Has anybody mentioned Sigur Rós? I'm not going to look up the diacritical marks.
My point about pitch correction, which I fully realize can now have great timbral granularity for edits, is usually not stochastically applied, or entirely comparable, to the period of pitch-finding (and the final pitch value) in a singer's voice. It would be more time consuming than editing a sequencer track, unless the neural net were turned loose on the glissando / portamento mix and the pitch value. I'm sure that's possible. It shouldn't BE a matter of a recording engineer's skillset, is what I'm getting at.
No one will read a VST thread. There is no happy middle ground between people who record music and people who like it. Like how you can expand your musical vocabulary with torrents and rapidshare. It's educational. Imagine a computer listening to all of it; what could it do? More importantly, how would its knowledge be licensed for resale?
Has anybody mentioned Sigur Rós? I'm not going to look up the diacritical marks.
My point in even mentioning it was that computers are a lot faster now than in 1999. If you think EZTS / Time Factory make horrible artifacts at 125% or 75%, you should try it. It isn't a stomp box.worstplayer wrote:EZTimeStretch works in completely different way. It stretches/pitchshifts everything. Melodyne can analyze individual notes and you can correct only ones that need correction.
Oh, and you're not supposed to use it on entire song, but on individual tracks. If you use it on whole mix, of course there will be "ringing" and other artifacts.
My point about pitch correction, which I fully realize can now have great timbral granularity for edits, is usually not stochastically applied, or entirely comparable, to the period of pitch-finding (and the final pitch value) in a singer's voice. It would be more time consuming than editing a sequencer track, unless the neural net were turned loose on the glissando / portamento mix and the pitch value. I'm sure that's possible. It shouldn't BE a matter of a recording engineer's skillset, is what I'm getting at.
No one will read a VST thread. There is no happy middle ground between people who record music and people who like it. Like how you can expand your musical vocabulary with torrents and rapidshare. It's educational. Imagine a computer listening to all of it; what could it do? More importantly, how would its knowledge be licensed for resale?
I wonder if I'll get a better voice if I become gay.CIT wrote:Gay voices are always the best. Need another example: Freddy Mercury!
More on-topic, though, I'd also mention Klaus Meine. His voice was very beautiful (and still is, but it's obviously much harsher now after 40+ years of singing for Scorpions).

Matskat wrote:This neighborhood USED to be nice...until that family of emulators moved in across the street....
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charlie chong
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female
julie dybles
wendy and bonnies
karen beth
julie dybles
wendy and bonnies
karen beth
SLAG OFF KETSUI I SLAG OFF YOR MUM
https://soundcloud.com/vapor-teh-apparition
https://soundcloud.com/don-pachi-aka-bling-laden
https://soundcloud.com/vapor-teh-apparition
https://soundcloud.com/don-pachi-aka-bling-laden
definitely David Payne from Red Bennies
http://www.myspace.com/redbennies
http://www.myspace.com/redbennies
Re: The most beautiful voice in music
thread復活!
some good singing here http://www.youtube.com/watch?v=nIFj8_aAxcQ
Mitsuko Horie`s cover of a j-dorama theme song from 1971
some good singing here http://www.youtube.com/watch?v=nIFj8_aAxcQ
Mitsuko Horie`s cover of a j-dorama theme song from 1971
Re: The most beautiful voice in music
Male: D'Angelo
Female: Tina Dico
Female: Tina Dico

RegalSin wrote:Street Fighters. We need to aviod them when we activate time accellerator.