drauch wrote:xbl0x180 wrote:Just watched both
Boondock Saints movies and, wow... they blow

Yeah man, they are awful. I haven't seen the second one; I refuse to.
Skykid agrees, Boondock Saints was god awfully bad.
CONFESSIONS
Dir: Tetsuya Nakashima
Ok, so this one was very disappointing, but only because after Kamikaze Girls and Memories of Matsuko I expected more from Nakashima.
My girlfriend summed it up nicely: "It was watchable... just."
The premise is interesting but the execution and plot development is loose and unrealistic. It suffers from a lot of OTT angst and heartache, which is divulged in a unique way, but lacks any real point. It also has themes that are so painfully trite in Japanese cinema: everyone is useless, this person's life is worthless, I'm worthless, he deserves to die, you don't know what it means to kill blah, blah, blah.
The Japanese have this endless psychological preoccupation with the worthlessness of life and overcoming feelings of being useless, usually by inflicting pain on other people. If you take it as an analysis of Japanese society, it's topical, but god is it boring. WE KNOW YOUR LIVES ARE MOROSE AND YOU HATE YOURSELVES, STOP REMINDING US.
I was also quite disappointed that Nakashima traded in any true cinematic integrity for a movie shot 90% slow motion. Things are constantly falling all the way through: cups of water, things falling off desks, out of windows, out of lockers. Slow mo, slow mo, slow mo.
I didn't see any really great cinematography here, it was more just music video style superficiality with lots of blue lens filters and color correction. There was a nice reverse special effects sequence toward the end.
But it does get the prize for one thing: worst use of music in a film ever. Terrible. The first twenty minutes are so irritating, as it's literally this endlessly repeating theme that doesn't work with the movie, and then later on just sequences filled with equally inappropriate choices of melancholy pop music. Thom Yorke couldn't even save it from its own awkwardness.
Ultimately, it's not a film I could wholeheartedly recommend, but it is watchable if slightly overlong. If you fancy something pointless and depressing and not particularly significant or fulfilling, you can fester in it, but it's pretty average stuff.