Fear and Loathing in Las Vegas
Fear and Loathing in Las Vegas
Just finished reading this, enjoyed it. How does the movie compare?
Nobody I know seems to have seen/read both.
Nobody I know seems to have seen/read both.
Focused on the aesthetics of drugs, so to speak.Hilarious, but many elements of social critic and random wackery have been removed to focus on how completely fried the two guys are. Funny, at any case.
"The only desire the Culture could not satisfy from within itself was one common to both the descendants of its original human stock and the machines [...]: the urge not to feel useless."
I.M. Banks, "Consider Phlebas" (1988: 43).
I.M. Banks, "Consider Phlebas" (1988: 43).
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Well, since you asked: the performances, cinematography, and script (natch, since the dialogue's all from Thompson's book) are all top notch. It's not quite up to the standards set by the book, but it did a great job of bringing an "unfilmable" novel to the big screen.PFG 9000 wrote:Could somebody explain what is so great about this movie? I honestly think it's the worst movie I've ever seen. What ever happened to plot, character building, climax, etc.?
Also: plot, character building, climax, etc., are features of a Hollywood-style narrative film, which I have nothing against. But there are lots of wonderful films (Un Chien Andalou, El Topo, and way too many others to list), that simply have no use for any of the above.
Okay, I could grant you that, since i was too turned off by the complete lack of direction of the film to care about acting, writing, and cinematography. Seriously, I hate to just bash the movie to death since it does have a significant fan following, but I simply don't understand what the point of the film is. What am I supposed to get out of it? If there is no story and the film has "no use for" character depth, what is the goal one sets out to achieve when sitting down to watch the movie? Is it supposed to be funny, or exciting, gripping, or intriguing? (I'd imagine the latter.) I sat through the entire thing wondering why anyone in their right mind would want to subject themselves to such an, erm, experience.MadSteelDarkness wrote:Well, since you asked: the performances, cinematography, and script (natch, since the dialogue's all from Thompson's book) are all top notch. It's not quite up to the standards set by the book, but it did a great job of bringing an "unfilmable" novel to the big screen.
Also: plot, character building, climax, etc., are features of a Hollywood-style narrative film, which I have nothing against. But there are lots of wonderful films (Un Chien Andalou, El Topo, and way too many others to list), that simply have no use for any of the above.
I honestly do want to understand what the attraction is to this movie. But it continues to elude me. (Maybe I need to do more drugs?) And I can even appreciate Pink Floyd's The Wall, which supposedly is best watched when stoned/tripping.