Which is best?

You can see the bullets in a revolver chamber from the front, and there's a similar "circle within a circle" effect if it's loaded with hollow-points. But I don't how how that would turn out in a logo.Pixel_Outlaw wrote:I too like the first one but you see that is the front of the cylinder. You would never see a bullet inside.
Umm, no. If you want people to remember it they're going to have to be able to read it. This isn't some multi-million dollar company that can afford to just use some abstract mark without readable text (even then, you'll find that this is rarely done). Name recognition is key. When you see well done marks that _are_ abstract and/or do not immediately define what the company is about, they are invariably really simple and instantly understandable (visually if not conceptually). Complex is okay for some personal project or the like, but no one has the time to sit there and decode your logo.Doesn't matter if people can't read it. It just needs to be a striking image. The longer you spend trying to decode it, the longer it will stay in your head. Think of it from a psychological perspective. Innit.
I generally agree with this, although if you can work an image into the type without it being overbearing, then go for it. A couple of subtle changes will go a lot farther and look a lot cooler than something which is totally overworked. Otherwise, either separate them or just go with an appropriate type mark (I do this a lot when the client needs something REAL FAST).Neither. Keep image and text as distinct elements.