Maybe Follins and Namiki were plagiara…lift…covering the same Detroit Techno songs (specifically, Underground Resistance). We have a thread about
this topic indeed! It’s a shame that Ratikal’s OP is now mostly unformatted, but with a bit a patience it can be read and enjoyed.
I believe that somebody could write a book on the influence of Detroit Techno music and imagery on Japanese SF across media, in the 1990s (e.g. video games and anime). I would add that these people shaped
Dieselpunk long before the genre was on the radar of “mainstream” SF, though mention of Miyazaki’s works here would lead us to a veritable rabbit hole.
Maybe one day I will grab my Japanese colleague who likes shmups and we will write about this stuff. It might be outside our field, but we will try our best
EDIT:
One reason I can never appreciate fully video forms of SF (movies, Trek series, etc.) is that they are usually drowned into awful generic orchestral music almost invariably featuring only string sections and absurdly bland melodies (check a random episode of
Star Trek except for the original series, which often featured '60s experimental/tonal, Jazz-influenced themes). "SF on video will be good when accompanying music will be Detroit Techno/Experimental Electronic/Etc. in general", Rando said (yes, we know, there are a few relevant exceptions, but in fact they are great movies/series that I don't want to cite on purpose).
"The only desire the Culture could not satisfy from within itself was one common to both the descendants of its original human stock and the machines [...]: the urge not to feel useless."
I.M. Banks, "Consider Phlebas" (1988: 43).