480p to 1080i it would be great and worth getting if the price is right - I'd take oneH6rdc0re wrote:Never mind. It's the A series and with the BKM-68X impossible to find I'm not gonna bother.

480p to 1080i it would be great and worth getting if the price is right - I'd take oneH6rdc0re wrote:Never mind. It's the A series and with the BKM-68X impossible to find I'm not gonna bother.
It comes fully stock so no BKM-15R control unit and no option boards. Also no S-Video or Composite connections unfortunately.fernan1234 wrote:I'd get one. S-video is good enough in one of those.H6rdc0re wrote:Never mind. It's the A series and with the BKM-68X impossible to find I'm not gonna bother.
That's too bad, but how much are they asking for them? Depending on that it may still be worth it to get and hold until a chance comes up to find an input board and control unit.H6rdc0re wrote: It comes fully stock so no BKM-15R control unit and no option boards. Also no S-Video or Composite connections unfortunately.
€1800 a piece... so I'm not gonna do it. They do also have 2 BVM-20E1E (SD only) with 33.000 hours. Is that too many hours?fernan1234 wrote:That's too bad, but how much are they asking for them? Depending on that it may still be worth it to get and hold until a chance comes up to find an input board and control unit.H6rdc0re wrote: It comes fully stock so no BKM-15R control unit and no option boards. Also no S-Video or Composite connections unfortunately.
Have you seen the prices for these things?fernan1234 wrote:That's too bad, but how much are they asking for them? Depending on that it may still be worth it to get and hold until a chance comes up to find an input board and control unit.
If it were D24EW1E's then I would have bought them instantly. Shouldn't be hard to sell them at $4000-5000 each.Lawfer wrote:Have you seen the prices for these things?fernan1234 wrote:That's too bad, but how much are they asking for them? Depending on that it may still be worth it to get and hold until a chance comes up to find an input board and control unit.
If anyone wants a D24 for $5000 I'd probably be willing to part with mineH6rdc0re wrote:If it were D24EW1E's then I would have bought them instantly. Shouldn't be hard to sell them at $4000-5000 each.
but just like with CRTs, you know how complicated it can get, once you start having multiple ones at home at onceIt's like chicks : there's all kinds of hottiesbless the variety, hehe
Fudoh wrote: but just like with CRTs, you know how complicated it can get, once you start having multiple ones at home at once
H6rdc0re wrote:If it were D24EW1E's then I would have bought them instantly. Shouldn't be hard to sell them at $4000-5000 each.Lawfer wrote:Have you seen the prices for these things?fernan1234 wrote:That's too bad, but how much are they asking for them? Depending on that it may still be worth it to get and hold until a chance comes up to find an input board and control unit.
Fudoh wrote:but just like with CRTs, you know how complicated it can get, once you start having multiple ones at home at onceIt's like chicks : there's all kinds of hottiesbless the variety, hehe
H6rdc0re wrote:If it were D24EW1E's then I would have bought them instantly. Shouldn't be hard to sell them at $4000-5000 each.
Brand new without any hours or wear and tear.GeneraLight wrote:H6rdc0re wrote:If it were D24EW1E's then I would have bought them instantly. Shouldn't be hard to sell them at $4000-5000 each.
That's still way too much, but a lot more reasonable.H6rdc0re wrote:Brand new without any hours or wear and tear.GeneraLight wrote:H6rdc0re wrote:If it were D24EW1E's then I would have bought them instantly. Shouldn't be hard to sell them at $4000-5000 each.
This doesn't apply to the D (or A) series widescreen BVMs though, it applied to commercial widescreen CRTs because those did scaling and processing. Widescreen is actually a big plus IMO. A 4:3 picture will look perfectly fine on them. Plus no curve. Plus never again will you have to live with horizontal overscan, and you have ample room for horizontal resolution control. I actually can't see myself going back to a 4:3 display for 4:3 content anymore, especially retro games and their very varied horizontal resolutions.Classicgamer wrote:Plus, that model is 16:9 which is a big no no for games from the CRT era.
That's basically a once-in-a-lifetime monitor. What made you feel like you could live without it?svensonson wrote:I definitely wouldn`t spend that much on a CRT but I recently sold my D32 (in perfect condition) in this range.
I dont feel that I need a 100kg 16:9 monitor for retro gaming. I`ll rather stick with the 4:3 trisync monitors that I have. they just do better fit for this purpose, in my eyes.fernan1234 wrote:This doesn't apply to the D (or A) series widescreen BVMs though, it applied to commercial widescreen CRTs because those did scaling and processing. Widescreen is actually a big plus IMO. A 4:3 picture will look perfectly fine on them. Plus no curve. Plus never again will you have to live with horizontal overscan, and you have ample room for horizontal resolution control. I actually can't see myself going back to a 4:3 display for 4:3 content anymore, especially retro games and their very varied horizontal resolutions.Classicgamer wrote:Plus, that model is 16:9 which is a big no no for games from the CRT era.
That's basically a once-in-a-lifetime monitor. What made you feel like you could live without it?svensonson wrote:I definitely wouldn`t spend that much on a CRT but I recently sold my D32 (in perfect condition) in this range.
Not an issue at all. The pillarbox bars don't bother me on my D32 when playing 4:3 games.Classicgamer wrote:The issue with 16:9 is that old games look bad on them. You ... play with ugly black borders at the side.
Exactly. I really don't see the difference between pillarbox bars and the monitor's bezel as the frame of the 4:3 picture. And again, horizontal resolution has plenty of room, you'll never need to bother with horizontal shift controls for sources that place the picture in different places horizontally.the Goat wrote:Not an issue at all. The pillarbox bars don't bother me on my D32 when playing 4:3 games.Classicgamer wrote:The issue with 16:9 is that old games look bad on them. You ... play with ugly black borders at the side.
thisthe Goat wrote:Not an issue at all. The pillarbox bars don't bother me on my D32 when playing 4:3 games.Classicgamer wrote:The issue with 16:9 is that old games look bad on them. You ... play with ugly black borders at the side.
I haven't seen people talk about this much recently, but at the time of the SPF/Hi-Scan 16:9s, there was a lot of talk about how pillarboxing on 16:9 led to burn-in and geometry issues at the edges because it was especially tough on the system to cut the electron beams horizontally at a hard demarcation line in the middle of the screen.fernan1234 wrote:Exactly. I really don't see the difference between pillarbox bars and the monitor's bezel as the frame of the 4:3 picture. And again, horizontal resolution has plenty of room, you'll never need to bother with horizontal shift controls for sources that place the picture in different places horizontally.the Goat wrote:Not an issue at all. The pillarbox bars don't bother me on my D32 when playing 4:3 games.Classicgamer wrote:The issue with 16:9 is that old games look bad on them. You ... play with ugly black borders at the side.
Hmm, I can't really see why the electron beam would have a hard time stopping anywhere on the screen. After all, monitors have multiple under/overscan settings anywhere, 4:3 or widescreen. The beam doesn't care, and the phosphors will not get any more wear than in normal use just because they're at the edge of the current blanking area with the under/overscan of the given content.vol.2 wrote:I haven't seen people talk about this much recently, but at the time of the SPF/Hi-Scan 16:9s, there was a lot of talk about how pillarboxing on 16:9 led to burn-in and geometry issues at the edges because it was especially tough on the system to cut the electron beams horizontally at a hard demarcation line in the middle of the screen.
Not sure if you all are experiencing anything like this on your pro models, but it was an explanation often given for the horrible geometry issues that quickly developed on the high-end consumer 16:9s
Oh no.FinalBaton wrote:Saw that a Sony KV-25XBR was listed near me, inquired about it only to find out it had been trashed by the ownerThat legit saddens me, and ruins my day
I would have picked it up, even though I already have one, to save it from the trash and give it a new lease on life. It sucks to see a beautiful RGB monitor like that, especially one so special in North American crt history, get sent to the bin
Yep, it blowsSteamflogger Boss wrote:Oh no.