Speed Racer...the movie? You're damn right
Speed Racer...the movie? You're damn right
http://speedracerthemovie.warnerbros.com/cmp/main.html
And I thought I was excited about Star Trek. This is gonna be the best summer ever
And I thought I was excited about Star Trek. This is gonna be the best summer ever
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doodude
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Re: Speed Racer...the movie? You're damn right
Neon wrote:http://speedracerthemovie.warnerbros.com/cmp/main.html
And I thought I was excited about Star Trek. This is gonna be the best summer ever
I have never seen the reason for the attraction to Speed Racer.
But Space Ghost!? Now dat would be a movie!

http://www.youtube.com/watch?v=eVsT6KoTJOI
Go Space Ghost, Go Space Ghost, Go Space Ghost Gooooooooooooo!
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professor ganson
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Shatterhand
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The arcade game for Speed Racer wasn't half bad.
But it's the Wachowski Brothers who are behind this moive. the original "The Matrix" is in my top 10, but they only made mistakes after that. V for Vendetta could had been pretty good if the script was better written, and I am pretty sure the sequels to Matrix make sense to someone on the Earth, but most people would surely benefit if they had acutally tried to write something cohese.
But it's the Wachowski Brothers who are behind this moive. the original "The Matrix" is in my top 10, but they only made mistakes after that. V for Vendetta could had been pretty good if the script was better written, and I am pretty sure the sequels to Matrix make sense to someone on the Earth, but most people would surely benefit if they had acutally tried to write something cohese.

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captain ahar
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Sinfreealex
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I've been to the movies several times since the trailer started airing and I'm starting to get interested. At first my "cartoon converted to live action sucks" alarm kept going off, but after several viewings I'm ready to go see this when it comes out. Hopefully there are nice long sequences of the trippy racing shots they keep showing in the trailer and little of that damn kid and monkey.
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This 'looks' awful - more dirty over-the-top, over-used CG. It's like a computer generated roger rabbit which at a glance, retains none of the charm of the original Speed Racer or Anime itself for that matter.
Hollywood should leave something as purely Japanese as Anime well alone, even if it is the Wachowski's, cos they always fuck it up.
Whereas the Japanese remove frames to give Anime the most high-impact and distinctive motion in animation today, westerners stick in so many frames until its so fluid it's just crap. This might sound completely backward to the casual observer, but study Anime and you'll find its fact. I studied traditional Animation in the London College of Printing and I find most western Animation distastefully overdone, and that includes CG artists.
The Speed Racer movie looks like a technicolour yawn.
Hollywood should leave something as purely Japanese as Anime well alone, even if it is the Wachowski's, cos they always fuck it up.
Whereas the Japanese remove frames to give Anime the most high-impact and distinctive motion in animation today, westerners stick in so many frames until its so fluid it's just crap. This might sound completely backward to the casual observer, but study Anime and you'll find its fact. I studied traditional Animation in the London College of Printing and I find most western Animation distastefully overdone, and that includes CG artists.
The Speed Racer movie looks like a technicolour yawn.
Always outnumbered, never outgunned - No zuo no die
ChurchOfSolipsism wrote: ALso, this is how SKykid usually posts
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StoofooEsq
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It is being aimed at kids though, The people who used to watch this waaaaay back are likely to have kids of there own now. If i had to pick this or the spiderwick chronicles for me and matt Jr to go see. I would go see speed racer for sure.Skykid wrote: The Speed Racer movie looks like a technicolour yawn.
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If I had one, I wouldn't take my kid to see this. I'd sit him down with the actual Speed Racer cartoon and tell him to watch that instead.
Always outnumbered, never outgunned - No zuo no die
ChurchOfSolipsism wrote: ALso, this is how SKykid usually posts
When I saw the trailer my first thought was that it didn't look like Speed Racher, but rather F-Zero:The Movie. Honestly I don't really know how they can avoid fucking it up, because the cartoon really just isn't movie material.

We here shall not rest until we have made a drawing-room of your shaft, and if you do not all finally go down to your doom in patent-leather shoes, then you shall not go at all.
Which runs the risk of being campy, poorly-translated from its source material, pulp garbage that isn't worth the rising ticket prices. Colour and light from a high-end graphics workstation is not a substitute for imagination, as George Lucas found out when he utterly ruined his own greatest work with the Star Wars prequels.Neon wrote:This isn't high art folks. It's a live-action adaptation of a campy, poorly-translated cartoon.
I'm sick of this stuff - CG should be fucking banned.
Always outnumbered, never outgunned - No zuo no die
ChurchOfSolipsism wrote: ALso, this is how SKykid usually posts
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captain ahar
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but still i fail to see the point. will it suck? possibly (hello, wachowskis).Skykid wrote:Which runs the risk of being campy, poorly-translated from its source material, pulp garbage that isn't worth the rising ticket prices. Colour and light from a high-end graphics workstation is not a substitute for imagination, as George Lucas found out when he utterly ruined his own greatest work with the Star Wars prequels.Neon wrote:This isn't high art folks. It's a live-action adaptation of a campy, poorly-translated cartoon.
I'm sick of this stuff - CG should be fucking banned.
but as all arguments on any subject devolve:
"If you don't like it you don't have to use it " -- The Specials
you've stated already that you will not see it, and that it is a travesty. leave it at that and please try not to derail the thread into a tirade about the evils of computer animation.
but hey, what else is the internet for?

I have no sig whatsoever.
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Gungriffon Geona
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I think someone made a gigantic error in judgement when they said "japanese only use enough animation frames to work with" when they really mean to say "Their budgets for cartoons are still pretty narrow even if it has action in it."
They also made a mistake to even dare say American animation uses too many frames, when we're basically the kings of "re-use specific walk cycle from side view over and over and over even if it's not good. oh don't forget FLASH so nobody can tell we had a budget of 5 bucks."
Animation has gone to shit, even for big name companies. go out and find the mini-animations by Studio 4°C, preferrably Kung Fu Girl In Love which has a pretty crazy ammount of animation frames (and using CG tastefully, imagine that!)
They also made a mistake to even dare say American animation uses too many frames, when we're basically the kings of "re-use specific walk cycle from side view over and over and over even if it's not good. oh don't forget FLASH so nobody can tell we had a budget of 5 bucks."
Animation has gone to shit, even for big name companies. go out and find the mini-animations by Studio 4°C, preferrably Kung Fu Girl In Love which has a pretty crazy ammount of animation frames (and using CG tastefully, imagine that!)

FLYING CARS WITH CRAB CLAWS
That's absolutely correct - and its the trial and error of shortcutting that's made Anime motion so unique and so effective.Gungriffon Geona wrote:I think someone made a gigantic error in judgement when they said "japanese only use enough animation frames to work with" when they really mean to say "Their budgets for cartoons are still pretty narrow even if it has action in it."
Not trying to derail anything dude! I'm free to voice my opinion, that's why its called a 'forum' right? Speed racer looks like 99% CG, 1% brains - the evil's of computer generated special effects seem an appropriate topic.leave it at that and please try not to derail the thread into a tirade about the evils of computer animation.
Lol - the travesty will be when you're sitting in the theatre wishing you could have your money back.you've stated already that you will not see it, and that it is a travesty.

Always outnumbered, never outgunned - No zuo no die
ChurchOfSolipsism wrote: ALso, this is how SKykid usually posts
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captain ahar
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if i do see it in the theatre's i can comfort myself with the knowledge that i, at the very least, didn't pay to see Michael Clayton.Skykid wrote:Lol - the travesty will be when you're sitting in the theatre wishing you could have your money back.you've stated already that you will not see it, and that it is a travesty.

and i apologize for jumping on your case, dude. i was cwanky this morning apparently.
I have no sig whatsoever.
Is the 'the lack of frames is on purpose!' thing for real, or are you a fanboi? No offense, genuinely curious. I always thought anime looked sorta shitty due to the cut frames and assumed it was because of low budgets or something.
Not that American cartoons look any better, all the CG stuff on Cartoon Network looks like ass.
Not that American cartoons look any better, all the CG stuff on Cartoon Network looks like ass.
No worries captain! Easter blues
Neon:
Well its a question of taste I suppose. A lot of people still look at anime and think it looks really cheaply animated. And they're right in a sense too!
The Japanese didn't have big budgets to propel their live action movie industry post WW2, and a lot of the movie's they turned out suffered from looking very cheap. Instead the animation industry really got underway as an alternate form of entertainment that could branch into many areas and still tell amazing stories. Tezuka headed this up of course.
Because of budget constraints in the animation studios, the Japanese found a way to cut corners - to create movement, or a sense of weight, but with fewer frames than those used by Disney and Warner bros. etc.
Essentially, these animation methods were copied, almost like formulas, across the Japanese animation industry and are still present today. If you take an anime show like Evangelion, it's easy to see all the shortcuts - the sections where the budget is low - and then the 'money shots', where they spend bursts of money.
Anime has a form now, even in something as big budget as Akira, where the movement and motion of objects is typical. It's very much to do with slowing things down and then speeding them up to give a sense of weight.
Example - a character jumps in the air: he slows down greatly at the apex of the jump. Then there are NO frames at all for the fall. It just cuts to the landing and all the flying debris is animated around the character. Simple, cheap, and really high impact.
Hope thats not confusing, but thats kind of how it works.
Shit. I think I just derailed the thread.

Neon:
Well its a question of taste I suppose. A lot of people still look at anime and think it looks really cheaply animated. And they're right in a sense too!
The Japanese didn't have big budgets to propel their live action movie industry post WW2, and a lot of the movie's they turned out suffered from looking very cheap. Instead the animation industry really got underway as an alternate form of entertainment that could branch into many areas and still tell amazing stories. Tezuka headed this up of course.
Because of budget constraints in the animation studios, the Japanese found a way to cut corners - to create movement, or a sense of weight, but with fewer frames than those used by Disney and Warner bros. etc.
Essentially, these animation methods were copied, almost like formulas, across the Japanese animation industry and are still present today. If you take an anime show like Evangelion, it's easy to see all the shortcuts - the sections where the budget is low - and then the 'money shots', where they spend bursts of money.
Anime has a form now, even in something as big budget as Akira, where the movement and motion of objects is typical. It's very much to do with slowing things down and then speeding them up to give a sense of weight.
Example - a character jumps in the air: he slows down greatly at the apex of the jump. Then there are NO frames at all for the fall. It just cuts to the landing and all the flying debris is animated around the character. Simple, cheap, and really high impact.
Hope thats not confusing, but thats kind of how it works.
Shit. I think I just derailed the thread.

Always outnumbered, never outgunned - No zuo no die
ChurchOfSolipsism wrote: ALso, this is how SKykid usually posts
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zero.otaku
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What about how modern anime looks just like American animation with way more frames and yet the inbetween work is still garbage and even the keys look like they were drawn by a junior-high doujin wannabe? I liked the good ol' days of anime, where minimal animation was most definitely a budget constraint but was done with such style that it, well, made people actually care about anime. I love those uber-dramatic close ups with tons of detail and thick black outlines and stuff is actually drawn well.
On topic: I think they missed the mark and went a little too over-the-top with Speed Racer, but some of the action sequences look cool enough for me to make a trip to the IMAX.
On topic: I think they missed the mark and went a little too over-the-top with Speed Racer, but some of the action sequences look cool enough for me to make a trip to the IMAX.