James Cameron is definitely a director who benefits from studio interference more than it hurts him. Aliens lost one good scene with the autocannons, but replaced it with an unnecessary motivation for rescuing newt, and a painful scene of Hudson parading around the dropship and telling Ripley not to worry, modern space marines are invincible. Unsinkable, even!CMoon wrote:Herr Schatten wrote:BryanM wrote: To be perfectly honest, though, the franchise turned that way as early as the Aliens director's cut. The suspense/fear of the unknown aspect only got reintroduced to that movie when people with some sense decided to cut away a lot of crap Cameron originally shot.
Actually, this is a really interesting question: theatrical vs director's cut. I think a lot of people will go with director's cut because it is longer and explains more, but I think it can be argued that a lot of that stuff works better on the cutting room floor. Unlike the cut footage from Terminator, it is really well done, and anyone who loves the film should watch it, but there's something to be said for seeing the film the first time without any clue what the marines are going to run into. I think the one error here was taking out the scene of the auto-cannons running out of ammo. Great suspenseful scene.
To be clear, I like the film both ways. I will always opt for the director's cut now, but not really sure it is superior.
Same with Terminator 2. You lose one good exposition scene (unlocking the Terminator's CPU, which explains how it learned the meaning of love) but end up with a horrible scene of Sarah Connor getting a dream pep talk from the ghost of Kyle Reese. AND the unnecessary and easily predictable scene of John Connor's dog getting killed by the T-1000.
The Terminator had no worthwhile scenes cut. It's amazing what a lean and fast film the original Terminator was, despite all the necessary world building.
The theatrical cut of Abyss made no sense, but the director's cut revealed the whole thing to be a painfully childish ripoff of The Day the Earth Stood Still.
That's my long roundabout way of saying if it's a Cameron film, I'll take the theatrical cut.