Hagane wrote:I'm just curious about those instances where "it is incredibly touching and lyric, well beyond any other anime/manga that places a great emphasis on characterisation and plot", since I'm not willing to dig in the tons of Saint Seiya like crap it's buried in. Considering the quality those manga authors (among others) can achieve (Vinland Saga, Mushishi, Solanin), I'd be surprised if One Piece can truly suddenly shift from the turd it usually is to the sublime bits you mention.
The main characters' background stories, which represent, say, one episode per 40, as a ratio (an optimistic guess). I would say that the same ratio holds for the creative, adventurous bits in which the author exploits successfully the world setting he created (...for nothing, basically). The perfect example is the so-called "thriller bark" arc, in which the story is 40 episodes of senseless drivel with lame zombies, and one episode in which they present Brooke's story.
I don't see why you should be surprised that an author can come one with one excellent writing performance
per year, as compared to constant very good performances from a second author,
each week. Among other things, I am positive that whenever
One Piece involves an actual plot, the editor's hand has moved in. But: care to explain which proof you have in your evidence (if any), that it should be otherwise?
Skykid wrote: I don't want to watch through much filler and endless battles for the good bits
Then anything based on
Jump Manga is off-limits. Their series seem to be for kids that must get their weekly fix of "omg!battlebattlebattlebattle!", and not much else.
I would say that anything that is serialized for more than 26 episodes is highly suspicious, as usually only battle manga and silly romance can offer material for more than one full season, 99% of the time.
Besides,
seinen-oriented anime remain rare, as we discussed before (didn't we?). So, constant good quality is an event that occurs rarely, and certainly not in serialized shows. By definition, these can only survive with fillers and endless battles.
"The only desire the Culture could not satisfy from within itself was one common to both the descendants of its original human stock and the machines [...]: the urge not to feel useless."
I.M. Banks, "Consider Phlebas" (1988: 43).