rapoon wrote:jonny5 wrote:
And the plot was actually very good. You really need to stop voicing the opinions of others when you don't have one of your own...'I haven't seen this, but the people I know have and they didn't like it'... it's pointless.
Who goes in to see a movie loaded with hot young girls doing crazy shit then criticizes the plot? Me, that's who.
Maybe I've "moved" past the stage of finding it necessary to drop $10 to see a flick with vapid, talentless, casting couch trash bounce their jiggly
parts on screen, or maybe I simply don't care anymore. Personally, if I wanna see some hot ass, I'll warm up tube8 and rub one out.
However, I agree the plot was good. Albeit poorly executed.
I have no qualm referring to myself as a film geek/nerd. Fine girls are always a plus!

but the acting was complete shit and no matter how tight the asses
or how perky (or big) the titties, it doesn't make up for a garbage film. It's a bit like getting a toy in box of cereal that taste like crap.

Right Sucker Punch, here we go:
So weird, watching this I could see exactly what Snyder was trying to do, and at times it had me sitting bolt upright in frustration. I was urging him to just 'get it' in the next minute, but he never managed to nail what he was going for. I'll elaborate in a bit.
From the top:
The acting
was shit all round (especially Scott Glen - christ that guy is absolutely unwatchable), and the dialogue, what little there was, was tragic. But you know what, it's hardly a performance piece - that's totally not what Snyder was going for. Sure it would be nice if he paid a little attention to the subtleties beyond stylising every inch of every scene, but I'm starting to realise that's his forte. To that end, I couldn't fault the art direction. Even though it's totally commercial, it's a very good commercial. Snyder definitely has a grasp on visual stylisation that few modern directors seem to be able to manage. Even though everyone cites 300 as visually impressive, it was really Watchmen where I noticed some actual talent - and this followed suit.
The plot was allegorical of course, but it was no way near as intelligent a metaphor as all the ditzy teens leaving the movie theatre would have thought ("like totally wow maaaan, it was soooo deep"). It wasn't deep, it was paper thin, completely revealed in the final cut to black summary.
But fuck all that, I couldn't stop thinking about false eyelashes, high heels, knee high socks and all those pictures I saw of Vanessa Hudgens naked. Should a red-blooded male watch this just to see some hot chicks flipping about in their panties? Sure, why not, it's on the table, may as well get involved.
BUT (and here's the but) going back to that opening point of frustration: the action was just not right. I'd stand up and light a candle for the film's imagination, I have nothing but praise for someone who wants to make a barmy movie with no plot and a bunch of scantily clad teens kicking the shit out of stuff. I liked the sequences, I liked the cinematography (well, the CG), but I was punching the sofa over the action.
Snyder wanted ANIME. He didn't get it.
Of all those American directors who think "Anime's cool, let's make a movie that looks like Anime!" after seeing some of the visual flair in Watchmen I would have actually pegged this guy to pull it off at some point, but he didn't.
By the time they were doing the rolling action sequences on the train, my hopes faded completely. One day someone will realise that to get the right motion, you can't just randomly keep slowing down and speeding up shots and following bullets through the air -
if you don't cut frames, you won't get the right impact.
Anime timing isn't all about slowing shit down. Stuff slows down after frames are skipped, that's basically how anime is given false weight and greater impact. Sucker Punch was trying so hard it was painful, but all the action ended up feeling off-kilter and... soft.
It was a shame really, because there were some cool shots and really nice ideas in there, he just didn't nail the motion properly. Rrrgh, annoying.
Anyway, would I recommend this? Well, you can live without it. It's basically a 2 hour music video with heavy pop culture references through fetishistic imagery, and it's about 60% good, 40% poor (that's a 6/10 for score freaks). But I wouldn't say don't watch it either, there are certainly noteworthy elements done better than the average Hollywood fare. Respect where it's due: Snyder has something with Sucker Punch, but whatever 'it' is, it's not capitalised on properly. Watchmen is still a far superior film.
(Edit: jonny5 I wrote this essay for you punk, let's hear what you got to say!

)